Katyń Memorial

Toruń, Poland
2025

The proposed memorial form refers to the tragic history of the Katyń Massacre – the mass murder of over 22,000 Polish citizens carried out by the NKVD in 1940.

The entire composition has been designed to reflect both the unimaginable scale of the crime and its long concealment. The monument, located by Gen. Sikorski Ramparts in Toruń, is placed within an artificial mound, making it invisible from the outside – just like the truth about Katyn, which for decades was suppressed and falsified by the authorities of the Soviet Union. A narrow path leads into the memorial interior, cutting through the mound and gradually descending below ground level, suggesting an entry into a mass grave. In this way, the visitor finds themselves at the level of the heads of the depicted figures – on a symbolic, intimate level of “encounter” with the victims.

The concept is based on the idea of a symbolic “Roll Call of the Fallen” – perceived as an endless row of victims’ silhouettes, standing in silence within the space of the memorial. The compositional layout leads the viewer along the central avenue of the fallen towards the Polish flag, which towers over the entire site and serves as a sign of the victory of truth and memory over oblivion. The memorial space is not only a place of remembrance but also one of reflection and historical education, where visitors can enter into direct dialogue with the past. The spatial arrangement guides visitors through an emotional process – from entry, through confrontation with history, to departure with deeper awareness and contemplation.

Kompozycja przestrzenna

The entire design consists of the main axis of the avenue of remembrance, running between two monumental corten steel platforms, on which multiple rows of flat busts – cast in artistic glass – are arranged. These represent the rear parts of the heads of the murdered. Each head is unique (handmade) and features a distinct execution-style gunshot hole at the back, a direct and shocking reference to the method of execution used in Katyn.

The composition’s side walls, executed in the form of large, vertically placed mirrors, create the effect of infinite multiplication of the figures. This visual device symbolizes the enormity of the crime – the thousands of victims impossible to grasp in a single glance.

In front of the avenue of remembrance lies the entrance square – an open space allowing for gatherings during official, commemorative, and educational ceremonies. The choice of materials serves both durability and symbolism:

  • Busts: ARCHIGLASS – unique kiln-cast glass on handcrafted molds. The thickness of the castings (approx. 3–5 cm) and the precise production process ensure durability, weather resistance, and user safety. The lower part of each sculpture is tinted in a corten-like shade, while the upper part – around the head – remains clear, symbolizing the purity and fragility of human life.

  • Platforms, walls, and flooring: Corten steel – a material of warm, rust-brown hue, whose patinated surface evokes earth and time. At the same time, it directly references the form and color scheme of the Katyn Memorial.

  • Mirror walls: Mirrors or polished stainless steel, resistant to scratches and deformation, ensuring perfect reflections.

  • Lighting: Interactive, remotely controlled LED spotlights placed beneath the platforms. Subtle, pulsating light emphasizes the forms of the sculptures after dusk, creating an atmosphere of focus and remembrance.

Symbolic Aspect

  • The row of figures underground – refers both to the victims’ last moments, lined up before execution, and to the symbolism of the eternal guard and descent into the mass grave.

  • The gunshot hole in the back of the head – a symbol of the perpetrators’ cruelty and the brutal execution.

  • The Polish flag – a symbol of national identity, the victory of historical truth, and the continuity of memory.

  • Lighting – discreet illumination of the figures from below and of the flagpole, creating at night an atmosphere of sacredness and silence.

  • The backdrop of trees – evokes the Katyn forests, deepening the contemplative atmosphere.

The monument’s surroundings have been designed in a minimalist way, not to distract from the main composition. The mound is covered with natural greenery – grasses and shrubs – blending the object into the landscape, preserving the existing park surroundings and tall trees, which create a natural, solemn setting reminiscent of the Katyn forest. The narrow entrance path leads the visitor deeper in, cutting them off from the noise of the outside world and directing their attention toward the idea of the place. The spatial arrangement of the monument is open – it allows visitors to freely enter the “avenue of remembrance” and engage closely with the details of the sculptures, while simultaneously experiencing the monumental character of the composition.

Visitor Experience – Educational Aspect

The descent below ground level takes on the character of a symbolic journey – into the depths of the collective grave of memory and history. The observer comes face to face with the sculptures, each bearing the gunshot hole at the back of the head, while the mirror reflections make them experience the monumental scale of the tragedy. The absence of showcases or barriers allows for direct, almost physical contact with the installation, strengthening the emotional impact.

Summary

The project combines a powerful historical message with a modern artistic form and precise execution. The spatial arrangement allows for an individual experience of the memorial, while at the same time creating a strong and recognizable landmark in the cityscape. The use of materials such as ARCHIGLASS artistic glass, corten steel, and mirrors guarantees durability and top-level aesthetics, while the spatial composition and interplay of light allow for a profound, personal experience.

The monument is not only a place of remembrance – it becomes a space for reflection, contemplation, and education, giving voice to those whose lives were brutally cut short.